/* ==================================================== Operator's Console — shared stylesheet kierancharnock.io ==================================================== */ /* ---------- tokens ---------- */ :root { --bg: #0c0c0d; --fg: #e6e6e1; --muted: #6b6b66; --accent: #c8ff00; --amber: #d9a441; --blue: #7aa6c2; --hairline: rgba(230, 230, 225, 0.08); --hairline-strong: rgba(230, 230, 225, 0.14); --surface: rgba(230, 230, 225, 0.03); --surface-hover: rgba(230, 230, 225, 0.05); --mono: "JetBrains Mono", ui-monospace, "Cascadia Mono", monospace; --sans: "Switzer", ui-sans-serif, system-ui, -apple-system, sans-serif; --sidebar-w: 260px; --pad-x: clamp(20px, 4vw, 56px); --shell-max: 1280px; --ease: cubic-bezier(.2,.6,.2,1); color-scheme: dark; } /* ---------- light mode (time-of-day, set by inline script) ---------- Token override only. Electric lime (#c8ff00) is unreadable as text on paper, so the accent darkens to an olive-lime that stays legible while keeping the same family. Every accent background is a <=3px decorative marker, so it reads fine in the darker tone. */ html[data-theme="light"] { --bg: #f1efe7; /* warm paper, lower luminance than #faf9f5 — less glare */ --fg: #16161a; /* ~16:1 on paper */ --muted: #54514a; /* was #6f6f66 (4.4:1, hard to read); now ~6.8:1 */ --accent: #556a00; /* slightly deeper olive — ~5:1 on the warmer paper */ --hairline: rgba(20, 20, 18, 0.12); --hairline-strong: rgba(20, 20, 18, 0.20); --surface: rgba(20, 20, 18, 0.03); --surface-hover: rgba(20, 20, 18, 0.06); color-scheme: light; } /* keep the LIVE markers' faint halo visible on paper (was hardcoded lime) */ html[data-theme="light"] .dot.live, html[data-theme="light"] .build-card .pill.live::before, html[data-theme="light"] .status-tag.live::before { box-shadow: 0 0 0 2px rgba(85, 106, 0, 0.20); } /* topbar background is hardcoded dark + blur; flip to translucent paper */ html[data-theme="light"] .topbar { background: rgba(241, 239, 231, 0.84); } /* .video-hero placeholder is hardcoded-dark (#060607 + black vignette + white scanlines), tuned to glow on black. On paper it reads as an unfinished slab — recast it as a light inset media well. The overlay text/brackets already adapt (they use --fg/--muted/--accent). When real